[Both ariticles below are cited from http://www.nstperfume.com/]
Calvin Klein launched Euphoria Blossom earlier this year. It is formulated specifically to suit Asian preferences for lighter fragrances, although it will eventually be marketed worldwide. The fragrance notes feature kumquat, dewy green accord, pomegranate, orchid blossom, lotus blossom, pink peony, blond wood, white amber and frosted sheer musk.
Euphoria Blossom, like the original Euphoria, starts with sweet fruits, but the sweetness is considerably toned down and accented here with sparkling citrus notes. The “dewy green accord” is more noticeable simply because it has less competition for attention, and it smells more like a simple (and very fresh) floral and less like a sexy oriental fragrance for the same reason — the base here is relatively quiet, with none of the creamy richness of Euphoria, just a mild little blur of woody musk and amber. The sillage is slight, and the lasting power is so-so.
Euphoria was well-done if not groundbreaking, and I would say the same of Euphoria Blossom, but more so than the original, it has the kind of smells-like-everything-else, been-through-more-than-one-focus-group pleasantness that would make it hard to pick out of a blind smell test at Sephora. If you adore Euphoria and want a lighter version for summer, it might be just the ticket, but I would not be surprised if many Euphoria fans find it a bit more innocuous than they were hoping for.
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Like the original Obsession, Secret Obsession is a floriental, but the two scents are not meant to be related in any way other than the name, and in the event, they don’t share anything much other than an amber-y base and an overtly sensuous character. Secret Obsession has a sweet, fruity opening that smells entirely of today; still, don’t go looking for the sparkling and sheer pinkish berries that decorate so many of the fruity florals of the past five years. These fruits are spicy and overripe. It’s not quite Rochas Femme or Frederic Malle Le Parfum de Thérèse, mind you, but it smells more grown-up than I expected.
The dry down is a sweet floral (the notes: exotic plum, mace, rose de damas, jasmine, orange flower, tuberose, cashmere woods, burnt amber, vanilla and sandalwood). The rose is center-stage very briefly in the early dry down, after that, it’s more of a hothouse, tuberose-ish floral, but it lacks the richness and depth of Obsession’s floral heart — it’s a bit loud, but has a more modern, stylised feel. While I don’t find it unpleasant, I’ve seen more than one remark comparing it to hairspray.
What hairspray there is largely disappears within an hour; then Secret Obsession is a (relatively) quiet amber-y musky woods, medium-dark, spiced and honeyed but not overly sweet (although the fruit notes, which get buried under the flowers for a time, seem to reappear in the final stages). It’s sultry without the bitter edges that render Obsession an unlikely sell in today’s youth-oriented market. It isn’t a shy scent, but it isn’t quite so overwhelming as Obsession, and it’s considerably more subtle (and arguably, sexier) than Calvin Klein’s last stab at this market, Euphoria.